In the realm of music, certain songs transcend their initial chart positions, becoming timeless classics that resonate across generations. This article delves into four such tracks from 1968, each initially settling for the coveted No. 2 spot, yet enduring as enduring as the era itself.
The Box Tops - Cry Like A Baby
The Box Tops, bolstered by the soulful vocals of Alex Chilton, delivered a powerful R&B-infused gem. While their previous single "The Letter" reached No. 1, "Cry Like A Baby" showcased their ability to blend grit with a touch of psychedelia. The electric sitar part added a unique twist, but Chilton's stellar performance remained the focal point. This song, penned by Dan Penn and Spooner Oldham, showcased the band's versatility, proving they were more than just a one-hit wonder.
Richard Harris - MacArthur Park
Richard Harris, known for his stage and screen musicals, ventured into pop stardom with the help of Jimmy Webb's songwriting prowess. "MacArthur Park" was a masterpiece of musical storytelling, with its various movements and challenging melody. Harris' vocal range, though pushed to its limits, added to the song's dramatic effect. Despite its success, Harris' pop career fizzled, but Webb's songwriting legacy endured, solidifying his place as one of the greatest songwriters of all time.
Steppenwolf - Born To Be Wild
"Born To Be Wild" by Steppenwolf is a testament to the power of artistic interpretation. Initially written as a ballad, Mars Bonfire's song transformed into a heavy metal anthem. The band's decision to rev up the pace created an iconic outlaw anthem. While the song's heavy metal connection is debated, the phrase "heavy metal thunder" coined by lead singer John Kay is a lasting legacy. Michael Monarch's guitar work further solidified the song's place in music history.
Mary Hopkin - Those Were The Days
The Beatles' discovery of Mary Hopkin was a stroke of genius. "Those Were The Days," a Russian folk song with English lyrics, showcased Hopkin's crystalline voice. Despite her youth, she conveyed a world-weary melancholy that resonated globally. The song's success was a testament to Paul McCartney's production skills and Hopkin's innate talent. While it didn't top the US charts, it dominated the rest of the world, solidifying Hopkin's place in music history.
These songs, initially No. 2 hits, have transcended their original chart positions, becoming enduring symbols of 1968's musical legacy. Their impact on music history and cultural significance cannot be overstated, proving that sometimes, second place is indeed the new first.
